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Fabergé Collection Fact Sheet

Mar 25, 2010

Full Name
The Lillian Thomas Pratt Collection of Fabergé and Russian Decorative Arts

Importance
The Virginia Museum of Fine Arts' Pratt collection includes the largest public assemblage of Fabergé imperial Easter eggs outside Russia. The full Pratt collection numbers approximately 400 creations from the Fabergé workshops.

Donor
The collection was formed between 1933 and 1946 by Lillian Thomas Pratt of Fredericksburg, Va., the wife of General Motors executive John Lee Pratt. In 1947 she bequeathed 400 pieces of Russian art, many from the Fabergé workshops, to VMFA.

Jeweler  
Karl Fabergé, born the son of a jeweler in St. Petersburg in 1846, was named goldsmith and jeweler to the Russian court in the mid-1880s. Tsar Alexander III proposed the creation of an elaborate Easter egg to be presented to the tsaritsa in 1885. Such special eggs became an Easter tradition throughout Alexander's reign and that of his son and successor, Nicholas II. Fifty imperial eggs are known to have been fashioned before the fall of the house of Romanov in 1917. Five, all from Nicholas' reign, are in the Pratt collection. Fabergé fled Russia in 1918, after his firm was closed by the Bolsheviks; he died in Lausanne, Switzerland, in 1920.

Imperial Eggs

Imperial Rock-Crystal Easter Egg with Revolving Miniatures, 1896
Presented to Tsaritsa Alexandra Feodorovna in the year of Nicholas' coronation, its two halves, made of rock crystal, are joined by a diamond-set band and placed on an enamel and rock crystal base. The egg is topped by a 26-carat Siberian cabochon emerald. The rock crystal globe contains miniature paintings of royal residences.

Imperial Pelican Easter Egg, 1897
A gift from Nicholas to his mother, the Dowager Empress Marie Feodorovna, the 4-inch-tall egg made of red gold is surmounted by a enameled and diamond-studded pelican feeding its young. The egg unfolds to disclose eight pearl-encircled oval panels, each depicting an institution of which the dowager empress was a patron.

Imperial Peter the Great Easter Egg, 1903
Presented by Nicholas to the tsaritsa, this egg is made of red, yellow and green gold and platinum and is set with diamonds and rubies. Miniatures of Peter the Great and Nicholas and two views, of the Winter Palace and a hut Peter himself built, adorn the sides. When the top is opened, a tiny bronze replica of a 1782 statue of Peter the Great by the French sculptor Falconet arises from inside.

Imperial Tsesarevich Easter Egg, 1912
Another gift to the tsaritsa, the 1912 egg is a fantasy of lapis lazuli and gold tracery, topped by an inset diamond. Concealed inside the egg is a removable platinum double-headed eagle, set with rose diamonds, on a lapis lazuli base. This "surprise" serves as a frame for a portrait miniature of the 7-year-old tsaritsa Alexis in a sailor suit.

Imperial Red Cross Easter Egg, 1915
Tsar Nicholas' mother was the recipient of the most recent egg in the Pratt collection. Made of white opalescent enamel with a scarlet cross on each side, it is a tribute to Marie Feodorovna's presidency of the Russian Red Cross. Inside are portrait miniatures of Romanov family members dressed in the Red Cross uniform. Encircling the egg is an inscription in Russian: "Greater love hath no man than this, that he lay down his life for his friends."

Additional Resources
Image Sheet PDF  

Faberge Montage

This montage is of the five Fabergé imperial Easter eggs given to the Virginia Museum of Fine Arts in 1947 by Lillian Thomas Pratt.  

 Photos by Katherine Wetzel© 2003 Virginia Museum of Fine Arts 

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VMFA: Imperial Tsetsarevich Easter Egg, 1912

Imperial Tsesarevich Easter Egg (detail), 1912, is made of lapis lazuli, gold and diamonds and includes a diamond-encrusted miniature frame inside with a portrait of the young son of Nicholas II.  

Photo by Katherine Wetzel, © 2003 Virginia Museum of Fine Arts 

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VMFA: Imperial Pelican Easter Egg, 1898

Karl Fabergé (Russian, 1846-1920), Imperial Pelican Easter Egg, 1898. Egg: red gold, diamonds, enamel, pearls; Miniature folding panels: watercolor, ivory. 4" H x 2 1/8"

Photo: Katherine Wetzel, © 2003 Virginia Museum of Fine Arts 

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VMFA: Imperial Peter the Great Easter Egg, 1903

Karl Fabergé (Russian, 1846-1920), Imperial Peter the Great Easter Egg, 1903. Egg: gold, platinum, diamonds, rubies, enamel, sapphire, watercolor, ivory, rock crystal. Statue: gold, sapphire; Egg: 4 3/8"H x 3 3/4"W; Statue: 1 9/16”H.

 Photo: Katherine Wetzel, © 2003 Virginia Museum of Fine Arts 

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VMFA: Imperial Red Cross Easter Egg, 1914

Karl Fabergé (1846-1920), Imperial Red Cross Easter Egg, 1915. Egg: enamel, silver, gold; Screen: enamel, gold, mother-of-pearl, watercolor, ivory.3”H x 2 3/8”W.

 Photo: Katherine Wetzel © 2003 Virginia Museum of Fine Arts 

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VMFA: Imperial Rock Crystal Easter Egg, 1896

Karl Fabergé (1846-1920), Imperial Revolving Miniatures Easter Egg, 1896. Head Workmaster: Mikhail Evlampievich Perkhin (1860-1903); Miniaturist: Johannes Zehngraf (1857-1908). Egg: rock crystal, diamonds, gold, enamel, cabochon emerald. Miniatures: watercolor, ivory.9-3/4"H x 3 7/8"W

Photo: Katherine Wetzel, © 2003 VMFA  

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Julien Bindord, Portrait of Lillian Thomas Pratt

Julien Binford (American, 1908-1997), "Portrait of Lillian Thomas Pratt." Oil on canvas. 48-1/4 "H x 34-1/4" W.

Photo © 2009 Virginia Museum of Fine Arts 

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